hand working conversation
XXXXXXXXXXXXX stitching
Is it an installation, a performance, or a conversation?




begin with cross stitches
In the Dream Farm Commons Annex, August 20 - September 3 materials were provided for cross stitching text onto canvas panels. Friends arriving took a moment to choose the word they wanted to spend time with or, chose to prepare a new word, slowly transferring text onto prepared canvas using carbon paper.
text added:
LIBERATION FREEDOM SANCTUARY CARE BELONG PEACEFUL LOVE HOLD GATHER FALTER LONELY FEAR INTENT SORROW OUTRAGE CONSPIRE FORGIVE ACHING TEAR QUEER LOVE COSMIC TOGETHER FRACTURE GRIEF HOPE





Freshly stitched text pages are brought to my home studio to be given backsides, becoming sacks or what Ursula Le Guin might call carrier bags, holding the narrative of seeds of stories. Returning to the annex they are hung from a set of randomly positioned hooks to be arranged and rearranged over the upcoming weeks as torn and twisted fibers are added, and poetic connections made visible.
looking closely you can already begin ‘read’ the tangle:
Lonely - Sorrow - Tear Love - Forgive Love - Sanctuary - Freedom - Liberation Gather - Queer Aching - Peaceful - Forgive

encounters
Encounters take many shapes. Sitting with folks stitching while stories slowly begin to emerge, the stories of who taught us to stitch and the things that were made to keep, to use or to pass along. The Mothers, Aunties and Grandmothers began with a simple border stitch than added more complicated ones desired for flower motifs. Sometimes it was through a summer camp or girl scouts that projects and techniques were shared. Today it is most often a social media post and a you tube video or an online course. All methods are good however, some lack the delicious spaces for conversations.
While at work others would share their read the backside and comment upon the quality of the work. Because of these moments some of us continue to carry judgements about the job being done. I quickly move to redirect the need for whatever perfect stitching might need to be while insisting we enjoy whatever we have, tangles and all, because it is absolutely perfect for the job at hand.
Many of us hold a yearning for those days and the moments sitting quietly, piercing the material, pulling the thread, repeating the feature of piercing and pulling until eventually knotting while a conversation began to simmer. Some of us talked about days before technological distractions, recalling how time was spent differently. Others enjoyed the simple break, enjoyed pattern making, the shape of the letter and the shifting colors of thread.
I consider these hanging text sacks as place keepers for our memories and prompts for thinking, talking and dreaming together.



I'm curious if the text sacks will ever be filled?